The pyramids of Giza in Egypt are currently aligned in exactly the same manner as three of the planets in our solar system, Saturn, Venus, and Mercury are aligned as of 12/3/12, 18 days before the famous and popular 12/21/12 which is the end of the Mayan calendar.
(This has been calculated using specialized software like Stellarium).
The planetary alignment on December 3, 2012 with the pyramids of Giza, occurs only once every 2737 years.
For more interesting stuff about the conjunction of dates, stars and the ancient calendar, you can read a related story, “2112 Decoded” at World Mysteries.
Well. If you can put aside your initial skepticism, and your mind’s chastising you for venturing outside provincial history textbooks, the following series of videos is interesting and rationally presented. Just as we discover that the further we go into the substructure of atomic particles, the more dimensions there are and the less we seem to know, the same is true of ancient history. The more we learn of ancient people, and even the origins of the human race itself, the less it seems we know, and the more we fear to discover.
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As an artist myself, with interest in physical depictions, and how the process of what is seen becomes represented as painted wall art, or carved petroglyph lines, or three-dimensional sculpture, it is interesting to me to find physical objects becoming represented as symbols, and these symbols finding correspondence in different cultures. Ancient codexes or comic books, painted with burnt sticks of carbon or Apple iPads, art doesn’t lie! People may not like it, but artists only paint what they see. Cultures may transmute and codify art into symbols, and the idea of beauty may change through the ages, and thus a heavy-set, big-breasted and bumpy model of a primitive Venus, becomes an anorexic photoshopped version of a Cosmopolitan woman in the 20th century. And while the Greeks glorified female beauty and put woman up on a pedestal, Picasso brought her back to a primitive and jagged Mademoiselle d’Avignon.
Still, birds are birds, be they herons, ducks, Phoenixs, or feathered Quetlcoatls. And wings are wings, although sometimes it is hard to determine whether they are attached to angels, aliens, bees, or flying machines. Snakes are snakes, until they seem to become dragons or dinosaurs or staircases on zigurats, jagged bolts of lightning, or wavy rivers. Fish are just fish, and look like sturgeons, dolphin, or salmon, unless they are scaled, skinned, and worn by mermen… Palms are palms, until they become multi-branched deciduous-looking “Yggdrasil” or the Tree of Life of the Kaballah; and flowers are just flowers, until they take on the significance of the three-petaled iris or Fleur-de-lis, the five-petaled rose or cinquefoil, or the multi-petaled lotus… Lions, tigers, and boars, oh my…
This series of over eight films, is best viewed with a skeptical, but open mind — if not a sense of humor. And yet there is wonder and awe, at the mystery of it all, and appreciation that so much is still unknown to us.
I’m as skeptical about the paranormal and ancient civilizations and advanced technologies as any rational person would be, I believe! lol.
But sometimes it is these unexplained things we come across, that add a sense of mystery in life. And sometimes some explanations for unexplained things, make more sense than others.
Here in this video about Egyptian pyramids, it’s mentioned that there is an underground aquifer below one of the main pyramids at Giza. A similar aquifer is found below the Bosnian pyramid. Is this coincidence?
Take a look for yourself and see if you discover anything new here…Also discussed is the use of electricity in the design and construction process.
A mysterious undersea pyramid structure off the coast of Japan causes controversy – is this a natural geological phenomena or a man-made structure which changes the history books as we know them?
In 1986, a diver near the island of Yonaguni Jima, off the southern tip of Japan (around Okinawa) came across some strange structures about 25 metres below sea level.
They appeared to be stepped structures with terraces and ramps.
One of the largest pyramid structures is 600 feet wide and 90 feet high –with five separate levels of stone blocks with what appears to be road surrounding the structure.
Tool marks and carvings have been discovered upon the stones (and documented) which indicate that they have were constructed rather than being natural stone structures.
Masaaki Kimura, a marine geologist from Japan’s Ryukyu University, Japan, has been studying and mapping the site for over 15 years and believes that the site is over five thousand years old – but was sunk during an earthquake two thousand years ago.
Others have estimated that the structure is far older – including Teruaki Ishii, professor of geology at Tokyo University who%2
Almost everything they teach us about the ancient history is wrong: origin of men, civilizations and pyramids. Homo sapiens sapiens is not a result of the evolution and biologists will never find a “missing link”, because the intelligent man is product of genetic engineering. Sumerians are not the beginning of the civilized men, but rather beginning of another cycle of humanity. And finally, original pyramids, most superior and oldest, were made by advanced builders who knew energy, astronomy and construction better than we do.
In order to understand the ancient monuments, we need to view them through three realms: physical, energy and spiritual. Our scientific instruments are simply not enough to explain the purpose of oldest pyramids, for example. Mainstream scientists, archaeologists, historians and anthropologists, are often main obstacle for scientific progress.
Gap between physical and spiritual science is to be bridged if we want to get fully understanding of the past.
Twelve hundred ton stone block in Baalbeck (Lebanon) needs explanation. Who was able to shape, move and install four times bigger blocks than our, 21st century, capabilities? Yonaguni megalithic monuments (Japan) do belong to the previous cycle of humanity. Th
Star in the Stone 