Posts Tagged ‘fashion’

Looks like Sharon Stone will have to give up her title of Most Frugal Oscars Dresser. (The actress famously stunned when she showed up at the 1996 Academy Awards in a Gap turtleneck.) Hunt has out-bargained Stone by wearing this midnight blue silk and satin strapless dress.”

Not even knowing the price or designer of Helen Hunt’s dress, I’d still say the style suited her and she wore it well…!

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Andy Torres explains “ego blogging” her coined term for what now has become commonplace on the internet, but which she was one of the originators of, back in 2007. Undecided as to her career path, she dropped out of college at a certain point, to pursue her real dream of creating and developing fashion ideas. Taking her love of sewing and modifying outfits, she moved to New York to try to make it as a designer. But when she didn’t find the opportunity she desired at an existing fashion house, she went online. Andy marketed herself and her fashion ideas through her blog, Style Scrapbook, which has since garnered over 75,000 followers…an impressive feat for any company, let alone a single girl.

Andy’s advice to anyone starting their own ego blog is simple.
1. Offer great content, which is useful to the target audience.
2. Include good photos which depict the subject in the best context.
3. Post often, to maintain contact with an audience with short attention span.
4. Share your blog on as many strong social media sites as possible.
5. Above all be yourself, and keep your content genuine and accessible.

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Actually, Nordstroms has a new blog. It’s called The Thread. And some of it’s first issues are going behind the scenes of shoots featuring its foremost designers and collections, such as Emilio Pucci, Givenchy, Azzedine Alaia, Alexander McQueen, Chanel, Proenza Schouler, Erdem. Definitely worth a peek.


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Source: vogue.com via Vogue on Pinterest


Vogue, May 1989 This image ran with an article on food phobias by Jeffrey Steingarten. Photographed by Irving Penn. One of Anna Wintour’s selections of favorite Vogue editions, on Pinterest.

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and just to be fair to a different brand…

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Lanvin Fall/Winter 2012 campaign, has released this video. The campaign featured real, regular people (not models or reality stars), and now we get a glimpse of the quirky individuality of each with behind-the-scenes footage and audio. My personal favorite, is the bearded man who is confident the stylish digs will get him a government grant. I wonder if they did?!

Made me smile, anyway.

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condensed from How to Repel Men With Style | Luke Leitch

Left to right: an ‘inexplicable hip extension’ from David Koma, frayed yarn face masks at Rick Owens and a typewriter dress by Mary Katrantzou PHOTOS: REX/VLADIMIR POTOP

Until his retirement in 2007, Valentino Garavani enjoyed a career rich in fame and fortune, all thanks to his near-peerless skill for doing one thing extremely well. That skill, which propelled him to the apex of 20th-century fashion, was in wreathing the world’s most beautiful women in dresses of devastating elegance. Whether it was Grace Kelly, Jackie Kennedy or Sophia Loren, Valentino had an unerring knack for transforming celebrated head-turners into unforgettable heart-stoppers.

Now it has been announced that a 100-strong collection of Valentino’s finest couture gowns is to feature at Somerset House’s blockbuster show this November – and I for one can’t wait to see it. For these days, women’s clothes that are designed to reduce any man who sees them into a jibbering, crush-struck wreck are rare indeed.

In the last few years, at show after show, I’ve confronted catwalks packed with ensembles outré enough to make a man’s veins run suddenly cold. Beautiful (albeit sillily thin and inappropriately young) women dressed in a manner guaranteed to wither the male gaze far more efficiently than a nun’s habit.

This withering is not because they look covered up and chastely tasteful. It’s because the outfits they’re wearing make them look like freshly escaped loonies. A few burned-into-the-retina regrets from the Autumn 2012 collections include camel-toe-flashing body stockings in jester’s diamonds, ruffled tulle pink buttock-skimmers wider than anything in My Big Fat Gypsy Wedding, and post-apocalyptic cult robes with frayed yarn face masks and death’s-head make-up… the 21st-century womenswear catwalk is all too often no place for men who relish a little black dress.

I – off duty – am one of those men, like any other. And yet I’m also employed to attend these fashion shows, then try and make some kind of sense of them. So as my inner bloke baulks and bolts for the door, I stay, sit and watch – and try to work out what on earth the designers are getting at. Furthermore, why on earth would women want to wear some of this stuff?

Take the peplum. This inexplicable hip extension is fashion’s current equivalent to the appendix: entirely useless yet utterly ubiquitous. Or the current ankle sock with high-heel trend: why subvert a sexy shoe with saggy, granny ankles? And what’s going on with the stupid, sadly not-quite-yet-over neon movement? Surely only paramedics and binmen could wish to dress in that saccharinely virulent shade of orange. Over the past few years I have silently asked myself scores of similar questions, adrift in a fragrant sea of rapturously applauding female fashion editors.

The discovery of a blog entitled The Man Repeller helped me start to square womenswear’s circle of aggressively ugly. Written by a young New Yorker named Leandra Medine, it amusingly recounted her flirtation with fashion fripperies that she not only knows but delights in knowing will send most men running to the hills. And then the comment of a female colleague after one particularly to-the-male-eye unattractive show – “you’ll never understand that! It was brilliant!” – cemented the thought: perhaps some fashion appeals to women precisely because of its burka-trumping capacity to confound masculine attention. Fashion has become an arena in which conventional male tastes, whether we like it or not, are an irrelevance. Sometimes, a designer’s freedom to whip up whatever they want – the loopier the better – can produce brilliant results. Mary Katrantzou’s pencil skirt made of pencils and her red Olivetti dress are great recent examples. Too often, however, contemporary fashion is an impenetrable in-joke as inexplicable as the worst type of contemporary art.

Still, now I can watch bunny-boiler collections that everybody else in the room says they adore without perplexedly wondering what it is I’m missing. Because sometimes women’s fashion operates on a frequency that most men simply aren’t supposed to hear.

read the article How to Repel Men With Style | Luke Leitch

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pretty cool!


Monsieur Zimmer’s June mixtape was published earlier today, featuring many recognizable tracks and remixes. Truly amazing that you can download such a quality compilation of music for free.

Bon Iver – Towers (Slow Hands Cover)
Bronx – I’ll Be Loving You
Rick Astley – Never Gonna Give You Up (Drop Out Orchestra Dub)
Van She – Jamaica (Plastic Plates Remix)
ColeCo – Ricky Smiley
Chordashian – Illusions
Little Boots – Headphones (Moon Boots Remix)
Dublin Aunts – Heartbreak Reputation (LNTG Found A Groove Remix)
Montevideo – Horses (Zimmer Remix)
Bit Funk – It Ain’t Easy
Cassian – I Love It
Jonas Rathsman – Since I Don’t Have You
The Faint – Battlehymn For Children (Tensnake Dub)
Para One – Lean On Me (feat. Teki Latex)
Poolside Music – Slow Down
Giselle – Silk (Cosmic Kids Remix)

This black blazer by D&G seems to be basically perfect if you ask…

View original post 47 more words

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reposted from “Chanel: A Lion in Tweed”

Gabrielle “Coco” Chanel’s headstone in Lausanne, Switzerland


it is only fair to pay equal respect to the woman and legend behind the brand that has single-handedly made quilted bags and ballerina flats universal fashion must-haves. Gabrielle, or “Coco” as she preferred, was a complex and complicated woman. Or, atleast, that is how she is portrayed in the three (yes, three) books that came out just this season. Having only read one so far, I can promise that Coco’s romances are explored just as thoroughly as the rumors which surrounded her life between the covers of Justine Picardie’s Coco Chanel: The Legend and The Life. Between the captivating photos of her past and sketches by Karl Lagerfeld, Picardie’s writing makes for an illuminating tale of a woman torn between two lives: fashion designer and wartime woman.

My personal fascination has been focused on Coco’s years in Switzerland. I’ve spent the past two months living in this country known for the Alps and fondue, and can’t help but imagine what it must have been like 65 years ago when the designer frequented the shores of Lac Léman. As Picardie notes in her book, Chanel once said she felt “free as a bird” when visiting Switzerland; her unsmudged red lipstick and conservative clothing concealing a life of lovers, flings, family drama, and a token best friend with a drug problem.

Following her death at the Ritz in Paris on January 10, 1971, Coco was buried at the Cimetière du Bois-de-Vaux in Lausanne. The turnout for her burial appeared meager in photos, as a formal, more-sizable ceremony had been conducted in Paris two weeks prior. Her gravestone is recognizable by five lions that appear across the top of her headstone; Coco’s astrological sign was Leo, something that defined her to the end. Today, greenery in the formation of her name, “Coco”, is perfectly placed across the area where her body rests. Next week, it will be 41 years since she passed.

As written in Picardie’s pages, Chanel once said to Paul Morand,
“I would make a very bad dead person, because once I was put under, I would grow restless and would think only of returning to earth and starting all over again.” I’ll keep my eye on her plot.


reposted from “Chanel: A Lion in Tweed”

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Previously I posted about some of the sillier styles of the 2012 Olympic uniforms…in retrospect, some of the older styles had more taste…

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