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Archive for the ‘style’ Category

Looks like Sharon Stone will have to give up her title of Most Frugal Oscars Dresser. (The actress famously stunned when she showed up at the 1996 Academy Awards in a Gap turtleneck.) Hunt has out-bargained Stone by wearing this midnight blue silk and satin strapless dress.”

Not even knowing the price or designer of Helen Hunt’s dress, I’d still say the style suited her and she wore it well…!

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A new way to blog! I’ve now connected StarintheStone to Bloglovin as a new way to connect.
I’d like to invite my followers to join me there as well and keep on lovin’ our blogs! lol

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and just to be fair to a different brand…
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Lanvin Fall/Winter 2012 campaign, has released this video. The campaign featured real, regular people (not models or reality stars), and now we get a glimpse of the quirky individuality of each with behind-the-scenes footage and audio. My personal favorite, is the bearded man who is confident the stylish digs will get him a government grant. I wonder if they did?!

Made me smile, anyway.

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fashion, pretty girls, and other things with price tags

The Playground

I spend a lot of time criticising the boys who work on Wall Street, but if you’re not after anything too cerebral they can be quite good fun to hang out with. Fraser and Kathleen started spending a lot of time together in a weird sexless mini-clique. There had been rumours flying round that her job wasn’t as secure as it might be, and I think she was keen to get close to anyone who could help her career.

As a girl, you get used to bawdy comments from guy-friends. One of the things that really shocked me about the city guys was the number of them who had been with call-girls. Usually on foreign trips where nobody knew them, but sometimes at home in New York. “Their work builds up a lot of testosterone,” Lina would say, “they have to let off steam somehow.”

“Does your brother go with…

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Voguepedia | Karl Lagerfeld
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Photograph by Annie Leibovitz. Published in Vogue, December 2003.

Lagerfeld has become far more than just a fashion phenomenon. With runway conquests at the houses of Chloé, Fendi, and Chanel, and as a remarkable barometer of the twenty-first-century zeitgeist, he is an industry unto himself. In a business that tosses the word “icon” about with reckless abandon, he is genuinely iconic, wielding his trademark fan and his repertoire of witticisms—sometimes provocative, often amusing, and always Karl. Old enough to be the grandfather of some of his Parisian competitors, he is a modern Oscar Wilde, a black-leather dandy with a rock-and-roll pout.

In the deep, all-knowing German voice that could belong to no other, Karl Lagerfeld declared in 1984, “I would like to be a one-man multinational fashion phenomenon.” In this—as in so many things—he was, if perhaps not self-effacing, extremely prescient. Today, the influence of his designs is rivaled only by the infamy of his ever-present dark sunglasses (“They’re my burka,” he has professed), his magnetic pull towards controversy, and his tendency to say things like, “Vanity is the healthiest thing in life.”

Fifty-seven years after Vogue first showed readers Coco Chanel’s innovative LBD in 1926, the company was placed in Lagerfeld’s studded, fingerless-gloved hands, and neither the LBD nor Chanel were ever the same. “My job,” Lagerfeld has said, “is to bring out in people what they wouldn’t dare do themselves.” In a way, this is what he did for the Chanel image, as well: Its elegance and dignity had lost their clout among the sixties generation of jeans-and-miniskirts-wearers, but Lagerfeld was able to transform the house into the ultimate purveyor of bad-girl chic (wealthy bad girl, that is). He was, it turned out, the perfect designer to bring the nodding camellias back to life. “Tradition is something you have to handle carefully, because it can kill you,” he told Vogue in 1984. “Respect was never creative.”

In his first years as creative director, Lagerfeld was accused by some critics of going too far—so far as to desecrate their hallowed memories of Chanel. He threw so much leather and chains into his early collections that his old friend Yves Saint Laurent balked: Chanel, he said, had become “frightening, sadomasochistic.” “Who can say what is good taste and what is bad taste?” the designer has countered. “Sometimes bad taste is more creative than good taste.”

Although he has a love of the eighteenth century—he views it as both the most polite and the most modern period, a time when “no one was young; no one was old. Everyone had white hair”—Lagerfeld is firmly planted in
the now. “Fuck the good old days,” he told Vogue in 2004. “Today has to be okay, too. If not you make something second-rate out of the present.”

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see the rest of the article: Voguepedia | Karl Lagerfeld

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Sergio Rossi – Blahnik – Valentino

Sergio Rossi gold leather Chloris sandal, $835
sergiorossi.com

Manolo Blahnik Kahikalow sandal, $1,125
Barneys New York, 212.826.8900

Valentino heel, $975
valentino.com

Bohemian Blooms: Floral Favorites for Summer | Vogue

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